FAST-US-1 Intro to American English Reference File
Content Outline, American Tongues
(57 minutes running time)


American Tongues surveys regional variety, standards, the influence of foreign languages, ethnic and gender differences, and presents attitudes towards and stereotypes of U.S. regional ideolects and sociolects.
('AA' and 'EA' indicate "African-American" and "European-American")
1.   Southern (AA) "What part of the South was I from ...
     I let 'em guess!"

2.   *  "Mary had a little lamb; Its fleece was white as snow; And
        everywhere that Mary went; The lamb was sure to go"

     *  Recited by six speakers: (EA) male, (EA) Pennsylvania Dutch
        female, (EA) males, (AA) male child, (EA) female, (EA) female

3.   Texas ranch talk, (EA) "cotton, peanuts and 'taters"

4.   Northern city talk, "I can use more storm windows in my apartment"

5.   (AA) female cheerleaders, "Did you go to the kitty wash"?

6.   Various comments on regional dialects; (EA) on (AA) 'yakety-yak';
     'Pennsylvania Dutch' speaker on being 'dutchified', e.g. "dumb"

7.   Southern (EA) student actors reading Shakespeare: "what sounds funny
     or odd to one person is music to another ..."

8.   Text: 'Accent' or 'dialect' vs 'slang' and 'jargon'

9.   Sales talk (EA male) full of computer jargon

10.  Church singing and Tangier Island (VA/MD) fishermen (EA) "I'd
     recognize that speech anywhere ... I figure I sound just like Walter
     Cronkite."

11.  Comments on settlement history of US; more regional differences to
     the east; fewer regional differences west of the Mississippi River

12.  Sociolinguist Roger Shuy: our speech relates to how we live our
     lives; as people change, so do their dialects

13.  Style differences: 

     *  Appalachia:  Kentucky radio call-in marketplace program

     *  "I don't talk like a Buckeye ... I'm just a plain old hillbilly."

     *  "I thought this was how everyone talked until I went into the
         Navy"

     *  Cratis Williams, folklorist, on rhythms of Appalachian dialect

     *  Boot salesman "He might could wear it in a eight and a half"

     *  Strong emphasis in Appalachia on the integrity of an individual:
        one must talk around a subject half an hour or so before getting
        to it.

     *  Ohio "Midwest, straight American, bland." "We don't talk funny in
        Columbus, but if you want funny, go about 70 miles south."

     *  Truck stop restaurant at 7:30 in the morning

     *  Texas & 'jackalope': Historian A.C. Greene "Most westerners in
        their speaking are more open, more forthright; Texans are not
        supposed to hide anything"; training cow dogs, "I'm stupid ... you
        need to everyday train those dogs..."

14.  Text, certain foreign language influences can be seen in different
     parts of the country: German in PA Dutch area, African languages with
     the Gullah dialect of South Carolina, French with Louisiana Cajun

15.  NYC 'Pastrami King' deli: 'chicken fried steak, hush puppies on the
     side, cream gravy and ice tea' vs 'kishka, knish, bialys...'

16.  Regional lexical differences: 

     *  RI ('cabinet' instead of milk shake)

     *  Pittsburgh ('gum band' for rubber band)

     *  Hawaii ('pau hana' for the work's done, finished, over with)

     *  Louisiana ("jambalaya" spicy rice stew)

     *  Texas: "antigogglin" for catty [or kitty]-cornered; Pennsylvania
        Dutch area, "snickelfritz" for 'rowdy little kid'

     *  NYC "shlep" or "lug" for "carry" (others think 'schlep' is
        'slept')

17.  Words tell about people in a particular place: Oklahoma terminology
     for rain storms; Children's language game: we learn language patterns
     and vocabulary from the people around us.

18.  Sociolinguist Walt Wolfram: "language learning starts in the home,
     and is influenced by TV and school; most important is the language of
     peers with whom we interact daily, but original dialect is the one we
     fall back to"

19.  Southern (AA) female professional, moving back & forth between
     dialects

20.  Text: there is no 'Standard' U.S. dialect except 'Network standard.'
     (EA) generic voice of 'directory assistance'; "voice from nowhere"

21.  (EA) female New England student on Southern speech "This... 'you all'
     stuff... When I met my southern boyfriend at Yale I imagined William
     Faulkner or Truman Capote; then I drove home with him to the South
     and the accent became thicker and thicker.  That was the end: I was
     not going to have any little southern babies who talked liked that."

22.  Regional dialects are associated with what we like or dislike about
     other parts of the country.  Ohio Columnist Mike Harden:

        *  "New Yorkers think there's rampant brain death west of the
           Hudson."

        *  "Ohioans retaliate, and suggest that the reason New Yorkers
           have such nasal accents is that the air up in skyscrapers is so
           thin"

        *  Southerners think Northerners are not hospitable (their voices
           sound grating, nasal, and unkind to Southern ears)

        *  Northerners mock Southern /a:s/ for /ays/ ("See, ice,
           assholes.")

        *  Southern EA females think northern speech is too abrupt, 'cold'

        *  Texan Molly Irvin on North's prejudicial stereotypes of
           southerners ("always depicted by WWII Hollywood as 'dumb and
           slow-talking'")

23.  Regional stereotypes quickly identify people and places; 'distinctive
     dialects' are often used for villains or comic characters

        *  (1) (NJ?) "Prize Fight" youth outside storefront; (2) Speech
           therapist (Born Yesterday) with blonde who'd 'like to learn to
           talk good'; (3) Marlon Brando (On The Waterfront), "a one-way
           ticket to Palookaville ... I could'a had class ... instead I'm
           a bum";

        *  But from Twain's "Huck Finn" to Wilder's "Our Town", dialect
           has also been used to make characters appear trustworthy: Rock
           Hudson & Doris Day (in Pillow Talk) use of "sincere"
           country-boy dialect

24.  Speech and humor: from Will Rogers to the Borscht Belt, performers
     have used familiar, non-standard dialects to get laughs: Comedian
     Robert Klein, "Georgians talk in questions [rising intonation]; no
     wonder they lost the Civil War, the troops couldn't understand what
     do do (when the officers called out 'charge?')"

25.  Linguistically insecure EA female feels bad when she can't 'speak
     well'

26.  Consequences of speaking a nonstandard or 'noticed' variety (Brooklyn
     speaker ('identified with slum') trying to pronounce "farmer" with
     speech coach).  People may make fun of you.  Non-standard dialects
     are not what the corporate world is looking for.  Speech therapist
     Dennis Beck says the company can't have people representing them who
     don't 'sound smart'

27.  Even a single place can have many accents: Metropolitan Boston
     examples from the North End; Back Bay/Beacon Hill (but standing in
     Fenway); Dorchester; and South Boston/Dorchester.

28.  Wolfram: it is easier to decide which dialects are 'better' than
     those which are 'worse'; 'better' depends on social stereotypes: we
     tend to think of urban as better than rural, EA better than AA,
     educated better than uneducated, middle class better than lower
     class, etc. If one belongs to a stigmatized group, one's speech also
     becomes stigmatized. If one speaks a dialect, one's professional
     performance must be better.

29.  "Three ways of speaking: Cultured, white trash ('uneducated') &
     Black" "Let's don't let no stump knock no hole in the bottom of this
     here boat"

30.  "Once you learn how the social system works, you need to be at least
     one cut above everyone you're competing with"

31.  New Orleans (EA) females on style-shifting. "Look at them beautiful
     girls. If they'd keep their mouths shut, they'd be perfect."

32.  Upper-crust dialects stand out just as much as the blue collar ones

     *  Boston 'Brahmins' discussing Charles Dickens, etc.

     *  Boston North Enders (Italian-American) revel in the way they
        speak, and often intentionally 'overdo' it.  "Chris fucked up big
        time ... He took a piss test."  Philip exploits North End
        vernacular: "The women, they eat it up, [and the guys] You can
        intimidate people with your verbal actions."  But the dialect is
        only effective locally; when his brothers went to college the way
        they spoke was a liability; now, back home, they cringe to hear
        Philip speak.  He regards it as an asset.

33.  Group solidarity function of American Black English.  Educator Norma
     Stokes says the American public has not accepted Black English the
     same way it has accepted different varieties of white American
     speech.

34.  Dilemma of whether Blacks should use Black English or standard
     English (and then be regarded as 'outsiders') (1) "I don't want my
     boys sounding like white males." (2) "She a school girl instead of a
     mama girl."

35.  Black vernacular only effective 'on the corner with your brothers'.
     Dialect is 'political' for group identification, but also
     employment...

36.  Renewal of pride in regional dialects, often exploited in advertising
     ("Foat Wuth ah luv yew", "I luv Louavull").  We feel a special bond
     with people who speak the way we do.  Many of us use one dialect for
     work and another for home and social life.

37.  Frederic Cassidy (editor, DARE [Dictionary of American Regional
     English]) on dialect leveling -- local dialects won't change unless
     they prevent or 'spoil' comprehension/communication.  We'll never all
     speak the same way.

38.  Attitudes towards varieties; 'why should I change'?  Recap of
     regional dialects in film's closing credits.

(see also a complete transcript from the Center for New American Media)

(There are also excerpts on YouTube, for example this New York deli clip)



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Last Updated 03 October 2010